Showing posts with label cardigan. Show all posts
Showing posts with label cardigan. Show all posts

Saturday, 29 May 2010

Margaret Sharrow at St Dogmaels Gallery Winter Show
















Image: Still from the video 'Soul group' by Margaret Sharrow at St Dogmaels Gallery, image copyright Margaret Sharrow, 2010

Margaret Sharrow is showing a selection of photographic and video work as part of the 'Winter Show' at St Dogmaels Gallery in Pembrokeshire.

It is the premiere of her video 'Soul group', installed in the new video viewing room.

There is also a chance to view some of Sharrow's cyanotypes of Greenland, and current work from her series of digital prints and collages 'Walking London / Walking Wales'.

St Dogmaels Gallery is on the High Street of St Dogmaels, a few miles from Cardigan on the road to Poppit Sands. Opening hours are Wednesday through Saturday, 12 to 6pm.

The 'Winter Show' continues until February 2011.

Jake and Dinos Chapman surprise Theatr Mwldan with 'My Giant Colouring Book'

















Photos: 'My Giant Colouring Book' by Jake and Dinos Chapman at Theatr Maldwn. Photos copyright Margaret Sharrow, 2010.

Yes, you read right: Jake and Dinos Chapman have a series of prints showing at Theatr Mwldan, the arts centre-cum-movie theatre in the market town of Cardigan, where the River Teifi meets the sea in West Wales. I popped in, expecting an array of local or regional painters of Welsh landscapes, and instead found myself face to face with a series of photo-etchings, drawings originally on mylar sheets, transferred through a light-sensitive process onto copper plates then printed. Most of the images are loosely based on dot-to-dot pictures in children's books, which are then subverted with ghoulish imagination that by turns shows elements of cubism, surrealism, medieval gargoyles and the simplified line drawings of colouring books. A gnome walks with a sack on his back, and an enormous... nose (really! this show is actually suitable for children, if a little unsettling at times, unlike some of their sculptural work, depending on your sense of these things). A boy in a cap has his lips pursed as if to blow a bugle, but what is in his hand is a sort of abstract expressionist whorl. Teddy bears and princesses are sewn together, Frankenstein-style, with skulls or internal organs visible. A leaf stands on two feet, bowing before a monstrous flying insect. Eyeballs proliferate randomly everywhere. My favourite was of a clichéd Dutch girl in pointed cap and apron, clutching a bunch of tulips. Behind her the windmill is exploding. Talk about blowing away stereotypes.

The original drawings were made by both brothers. Dinos says it is possible to tell his from Jake's drawings, 'if anybody was tragic enough'. I make no attempts, but there are obvious variations in style amongst the interventions, which, in Dinos' words, 'are about how wrong you could make an image. How you could use nodal points and ignore them at the same time'.

















These are really engaging little pieces, with wonderful, playful drawing and a sense of fun, while still dealing with the Chapmans' trademark themes of subversion through ghoulish horror, and their usual references such as Goya and medieval art. Judging by the guest book, the exhibition, on loan from the Southbank Centre, has received a mixed response, and never an indifferent one. 'Yuk - horrible, I didn't get it. Thanks' read one. Another: 'The greatest art I shall ever see', with an addendum in a different hand, 'MUST GET OUT MORE.' While I was there, quite a number of people viewed the show while waiting for the next film to start, including one woman who continued stuffing popcorn absentmindedly into her mouth while peering intently at each in turn. Another woman said to her husband, indicating the text panel about the Chapmans' other work, 'Reading this just makes it worse!' However, for me this was a pleasant surprise, both to find in Cardigan, and to compare with some of their earlier work, which sometimes seems to have been shocking just for the sake of it. I'm with the visitor who wrote, 'Well done Mwldan!' And the one who made their own dot-to-dot in the guest book.

My Giant Colouring Book runs until 13 November 2010 at Theatr Mwldan, Cardigan. Free.

Chapman brothers' website

Jake and Dinos Chapman at White Cube Gallery, London

(some may find the content of the above Chapman-related external websites offensive - Margaret Sharrow is not responsible for the content of external websites)

25 October 2010

Sunday, 30 November 2008

Margaret's work in St Dogmaels Gallery, near Cardigan



St Dogmaels Gallery near Cardigan is now showing Margaret Sharrow's work.

Featured pieces are 'Nocturne', from the series 'Road Trip (Commute to Aberystwyth)', shown above, and selections from 'Soul Matters v. 1', 2008.

'Soul Matters v. 1' was previously exhibited as a video installation at the Aberystwyth University School of Art in April 2008.

The opening, Saturday 29 November from 6:30 pm, was fairly well attended considering what a frosty evening it was. It was the first time I had seen the new fountain in the back garden, a large rectangular concrete pool reflecting candles, with a large barbeque-cum-bonfire in a sort of silver dish described as 'like an alien spaceship'. Munching olives, I dipped back into the warm of the gallery.

Tricia McParlin has some interesting new work, very dark abstracts of night hills. Among the craft offerings, Greenweeds is a new producer of some sensuous handmade felt book covers in natural wool colours.

The exhibition runs until 28 February 2009.


welcome page ----- Margaret's webpage ----- Facebook ----- Flickr ----- Saatchi Online

Wednesday, 19 November 2008

Welcome to Margaret Sharrow's art blog


Hello, and welcome to my blog. I am finishing a B.A. in Fine Art at Aberystwyth University, and this blog will be a place where you can view my work in progress, as well as notices of current and upcoming exhibitions of my work. For more information, and my portfolio, please link to my website, sharrow.mosaicglobe.com, where you can also read about Greenland, where I have recently been travelling and taking thousands of photographs that form the basis of my work this year. (I also have an autobiographical blog about my trip to Greenland.) You can also view my work at Saatchi Online, Flickr and Facebook.

At the moment I'm quite busy getting work into shows around Wales. My solo exhibition at Cafe Print in Lampeter is now closed, but I still have pieces in St Dogmaels Gallery, near Cardigan and @ The Gallery, Rhayader.

This morning I mixed some cyanotype chemicals for my current degree work. Cyanotype is one of several alternative photographic processes I'm into. It was developed by John Herschel and Anna Atkins in the 1840s. It used to be used by engineers and architects for blueprints. It remains a lovely way of producing blue tone photographs. A lot of my current work is in the medium of cyanotype.

I'm about to attend a sound recording / editing workshop. The nice thing about being at an art school is that there's always something going on...