Edward Gordon Craig 1872-1966: Treasures of a theatre designer

1 'La Procession Nocturne (Liszt)', wood engraving, 1927

Edward Gordon Craig 1872-1966
Avant-garde Theatre Designer & Artist
Stage Designs & Photographs, Drawings, Engravings, Woodcuts & Etchings
Aberystwyth University School of Art Gallery
29 November - 28 January
A Monnow Valley Arts Centre touring exhibition

An exhibition crammed with a cornucopia of small prints, drawings, photographs and ephemera. Of particular interest to students of literature, theatre, stage design, printmaking and illustration.

All photographs of installation views Margaret Sharrow, 2011

2 For King Lear, 1925

3 'La Commedia', woodcut, 1911

4 'Odysseus Arrives at Crete'

5 'Ophelia'

6 Photograph of set model

7 'Weep you no more sad fountains', 1906

Review: Michael Roberts - a close encounter with the face

Detail of 'Face X', painting by Michael Roberts, copyright Michael Roberts 2010. All photographs this page by Margaret Sharrow, 2011.

Imaging the Face

PhD exhibition

Aberystwyth University School of Art Gallery

29 November - 28 January

Larger and closer than life, a series of faces loom up to the imaginary windows of a short series of canvases. This is 'Imaging the Face' by Michael Roberts, a select study of a few persons rendered in such detail and yet in a way that would make it difficult to identify them, even if they were known personally to the viewer. Roberts has been exploring this theme since his MA, slowly producing a series of paintings all titled Face and differentiated by Roman numerals. The most recent work, Face X took 18 months to complete, between 2009 and 2010.

Roberts, who describes his oeuvre as 'hyperrealist representation of the human face', has an almost scientific procedure he follows as a working method, appropriate enough for one who always works dressed in an immaculately clean white laboratory coat. The paintings originate from one digital photo, which is drawn on canvas. Roberts then reshoots details of key elements of the face using macro photography at a scale of 1:1 to 1:6, which are then the basis for painting. For Face X, he further used microscopic photography to a magnification of between twenty and four hundred times life size. This third layer of photography was presumably also taken directly from the face, rather than enlarging the first photograph. The notes on the exhibition panel suggest that details such as translucent hairs may be lit differently at different times.

It is inevitable that the work will be compared with other photorealist painters such as Chuck Close. However, while Close's famous hyper-enlargements of the 1970's were larger than most photographic reproduction technology could produce at the time, Roberts is working at a time when the only limits on printing size seem to be the width of the paper roll. Roberts emphasises the 'handmade' quality of his images, produced over the course of months, the opposite of speedy digital printing. Close's work also mimicked the limitations of the camera, particularly that of depth of field, so that features of his sitter's faces are 'in focus' while hair and clothing slightly further back in the picture plane are blurred. Roberts, in contrast, has invested features in different parts of the picture plane with equal levels of detail, detail beyond the level that could be achieved by a single photographic image encompassing the entire face. In assembling details from a mosaic of microphotographs, he has actually flattened the perspective of the face. While wide angle lenses emphasise the distance between close and distant objects, zoom lenses compress that apparent distance, making a row of buildings on a street appear to pile on top of each other. Macro lenses are essentially zoom lenses, and so a series of details of a nose shot with extreme, even mircroscopic macro lenses, when set side by side will make the nose appear more flattened against the face than we are used to, our 'normal' naked eye vision being equivalent to a 55mm camera lens, and most portrait photography shot around a familiar 80mm.

The effect of the flattening, combined with the close cropping removing all hairstyles, clothing and other signifiers of gender, social status, etc. is disconcerting. As is the detailed rendering of blemishes, bloodshot eyes, moles, even fine hairs we don't normally see. The effect is rather like staring into a magnifier makeup mirror my grandmother used to have: it had a set of glamourous lights down both sides, which could be set to 'evening' or 'day', in which case a ghoulish fluorescent green light illuminated every pore to garish proportions. Roberts is forcing us to confront the aspects of skin that we dwell on obsessively in the mirror, when it is our own skin, and yet that we politely ignore or recoil from in others. He has crafted images that are the opposite of those in Photoshop-filtered glossy magazines. The obsessive attention to detail, ironically bringing beauty to overlooked and sometimes (to put it bluntly) repulsive minutiae, is at its best when Roberts lets go a little, leaving the paint to make its own contribution to the rich texture of the human surface.

Installation views and details of paintings from the exhibition, below.

Greenland blog 02: How my art took me to Greenland, and a Danish tongue twister

Parting clouds, west coast of Greenland. Image copyright Margaret Sharrow, 2008

I mentioned yesterday about the grant that allowed me to travel to Greenland, generously provided by the University of Wales, on condition that I was engaged in some sort of creative project (drama, cinema, creative writing, or in this case, fine art) with a further outcome to enhance my educational experience. I was at the time pursuing a BA at the Aberystwyth University School of Art, having hurried straight into the second year and begun experimenting with alternative photographic processes. This means that although I started out making some digital work, my main focus was in the darkroom, first doing traditional prints, and gradually moving into different techniques and chemical processes until it became photography, Jim, but not as we know it. By the end of the year I was cheerfully pouring bleach over multiple-exposure prints then wailing when I discovered that Sigmar Polke had already done exactly the same thing in 1971. To cap it all I’d been awarded a massive travel scholarship, which made for an interesting summer. After I finished marking a million media studies A level papers I had flown straight into preparations: daily study of Danish, in hopes of being able to speak Greenland’s colonial language, if not Greenlandic itself, which is difficult to find recordings for the essential comic attempts at mimicry. Now Danish can be difficult for the English speaker because of its range of guttural sounds produced at the back of the palette. Though Danish is reasonably similar to English in terms of word order, linguistic roots, etc., and I’d spent hours making vocabulary flashcards in my favourite cafe, I found that when confronted with actual Greenlanders speaking their colonial tongue I had my usual reaction - I froze (metaphorically, as it was still summer) and forgot everything I’d ever learned. There was one exception - I was able to amuse people by reciting the never-to-be-forgotten tongue twister taught to me years ago in Toronto by a Danish-Canadian friend. It employed a string of the guttural sounds, and provided guaranteed hilarity, by dint of my pronunciation: rød grød med flød på - which is red pudding with cream, as I remember.

Somehow I have diverged onto Danish tongue twisters and puddings, which throws up the whole question of Greenland’s relationship to Denmark. But more political thinking would leave us both up in the air, ignoring the spectacular views unfolding out the window of the descending plane. I can assure you unreservedly that at the time I took the photograph shown here, I was as fully present as I have ever been in my life, allowing for the fact that a certain detachment is inevitable when taking photographs at a furious rate. By the time we landed I was convinced that if I never took another picture over the next three weeks, I would still have enough material for an exhibition. The land was chiseled out of the green-blue sea, its elaphantine wrinkles washed with rusty red. And here I must say something about the colours I experienced, and have passed on to you. As with all my digital photos from this trip, I have made no alterations to saturation, contrast, density, etc., avoiding the current fashion in advertising and on Flickr for playing with these mechanics in Photoshop, producing supersaturated landscapes that anyone who has been to the place will recognise as overhyped, and setting up anyone who has not been for disappointment. Suffice it to say that with my photographs, as far as colour goes, what you see is what you get. Unless of course I have rendered the whole scene blue, by printing it as a cyanotype...

26 August 2008 09:32 (Greenlandic time) recalled 6 January 2011

Want more? Then please VOTE FOR ME TO BE THE OFFICIAL BLOGGER & ARTIST ON AN EXPEDITION TO THE NORTH POLE http://www.blogyourwaytothenorthpole.com/entries/166

then lope over to my Greenland blog http://margaretsharrowgreenland.blogspot.com/

and stay tuned for another episode tomorrow!

why I'm blogging about Greenland
archive of Greenland stories

See the photographic starstuff while you can: Aberration, Proud Gallery, London until 15 April

Aberration opening, London, 3 April. All photos this page copyright Margaret Sharrow 2010

Aberration

an exhibition of photography by staff, students and graduates of Aberystwyth University School of Art

Proud Central Gallery

32 John Adam Street

London

Until 15 April 2010

There's still time to catch this nifty little show, tucked away near London's National Gallery. Like baby stars in a nebula cluster, you can see the starstuff of the art school environment from whence I came... Everyone has developed their work further since I last saw them. Let's just say that the Aber Uni degree show this June promises to be an exciting and innovative event, if this show is anything to go by. 

Directions to Proud Central Gallery

The closest tube station is Charing Cross. But I will begin my directions from the National Gallery, which would be nice to visit before or after Aberration. 

Coming out of the front entrance of the National Gallery, bear left around Trafalgar Square and left again when you come to the Strand at Waterstones bookshop. Keep on the same side of the Strand as Waterstones, pass the entrance to Charing Cross station then turn right and find yourself in a little network of streets. John Adam Street is the first street running parallel to the Strand - turn left onto it, and the Proud Gallery is on the left. (Unless of course, you have carried along the Strand too far - Zimbabwe House is too far - in which case turn right on John Adam Street and look right. The good news is that the street isn't very long, so even I couldn't be wandering around for long.) 

Apparently the post-event partying went on long after I sloped off to late opening at the Tate!

Shrouded Forms: current work by Margaret Sharrow at Town Hall Café Deli, April 1-30

'Shrouded iron (face)', Margaret Sharrow, mixed media, 2010. Image copyright Margaret Sharrow 2010

'Shrouded Forms', a photographic/mixed media exhibition of current work by artist Margaret Sharrow, will open Thursday 1 April at the Town Hall Café Deli, Lampeter, Wales and runs throughout the month of April. 

The exhibition will be celebrate by a gala event on Saturday 10 April, 11 am - 3 pm, when there will be a special showing of 'Shrouded car (bird)' in the archway between the cafe and Jen Jones Welsh Quilt Centre, in addition to the exhibition inside the café. 

The exhibition is open Monday to Saturday, 8 am to 5 pm. 

Margaret Sharrow is a graduate of Aberystwyth University's School of Art and has exhibited at St Dogmaels Gallery, @ the Gallery in Rhayader, Erwood Station Craft Centre and Gallery and other venues in Wales. Her work uses alternative photographic processes and mixed media in an attempt to express the ineffable. 

Town Hall Café Deli is located on Lampeter's High Street near the main bus stops, just off the A485 between Carmarthen and Aberystwyth. (See map)

For more information contact sharrow.art@hotmail.co.uk 

Further images to follow on this site after 10 April... or sooner, perhaps. 

Feel free to copy, print, distribute or post the promotional postcard / mini poster!

Looking forward to Aberration opening, Proud Central Gallery, Sat 3 April, 5pm

Aberration, a photographic exhibition featuring artists from Aberystwyth University, opens at London's Proud Central Gallery at 5pm on Saturday 3 April and runs until 15 April.

Aberystwyth University School of Art's photographic department boasts staff, students and graduates working in a wide variety of approaches, from digital to traditional black and white to alternative processes and mixed media. This exhibition, curated by current postgraduate Faye Griffiths, showcases this diversity of talent. 

I can't wait to see it all come together at the opening!

Proud Central Gallery is located at 32 John Adams Street, London, two minutes' walk from Charing Cross Station. 

The opening is from 5 to 7 pm on Saturday 3 April, and the show continues until Thursday 15 April. 

Aberystwyth University School of Art MA Show Opening

Chatting by Philippa Sibert's installation, 'Aloft: 300 Birds 300 Steps 6000 Miles'.

Photographs copyright Margaret Sharrow 2009

Last night's opening of the second Aberystwyth University School of Art MA show was both challenging and well-attended.

Quite frankly, I was overwhelmed by the crush just getting to the north room to see Philippa Sibert's excellent installation and Diane Heeks' latest developments in what I may have to, for the time being, call three dimensional abstract painting, hovering in a very interesting place somewhere between painting and sculpture.

As for getting into Ffion Nolwenn Roberts' installation of pinhole photography, I could only lift the black curtain on the door to be confronted by the woman attempting to enter ahead of me stepping back out, proclaiming, 'It's full.'

As Alice Farnworth, another student exhibiting pinhole photography (but not as we know it, Jim - on a massive scale!) said, 'I was afraid the crowd would be rather thin tonight, but I'm delighted by how many people have turned out.'

Here, here.

Note: all the photographs shown here were taken at the end of the evening, when, the wine having long since run out, there was finally room to swing a cat, or at least a compact digital camera.

Other work shown by Sebastian Gray, Chris Iliff, Colin John Leythorne, and Clare Rose, and will be described along with the others in due course, when I've had a chance to see the exhibition without all the people.

Exhibition continues until 9 October, Monday to Friday, 9am-5pm.

Directions to the School of Art

Official School of Art MA exhibition webpage

Margaret News

Well, it's official. I am now in possession of a BA in Fine Art from Aberystwyth University School of Art. The ceremony was 16 July 2009 and is still online deep in the bowels of the Aber Uni website. DVD copies have duly been ordered for absent family and friends.

Although my connection to the internet has been temporarily interrupted, my photographic practice has not, and I continue shooting most days. I have plans for some cyanotypes and solvent transfers, though until recently my annual bout of A level marking for the Welsh exam board has hampered things in terms of free time, which has been devoted to other administrative manners.

But now things are definitely moving; I even did some sketching on Tuesday (yes! I can still hold a pencil!). I hope that my fellow art school grads have similarly been able to continue working at what we love, while inevitably having to juggle other things.

Best wishes to everyone from Aber Uni class of 2009.

Aberystwyth University Degree Show: General Views

Just to whet your appetite! Many more images and reviews to follow... check back on the blog regularly throughout the next few weeks. In the meantime, if you can get to Aberystwyth by Friday 4 June, do come and see it for yourself!

(Don't leave it too late on Friday to visit, because by then people will be beginning to take their work away.)

It's all go, getting ready for the degree show!

24 May - Sunday

The opening last night was great fun and a smashing success. Thank you so much to everyone I know who turned up, my apologies if I didn't get a chance to speak to you, but for the second half of the evening I was entertaining my VIP guest who had just gotten off the plane after an overnight journey (my father!). Thank you also to all the people who sent good wishes and support. If you missed the opening but are in the area, the show will still be up for the next two weeks, Mondays to Fridays 9 am - 5 pm (including Bank Holiday Monday).

Many people have asked me (especially tutors) whether I am pleased with how my installation came together. The answer is yes!

22 May - Friday

My installation is finished!

21 May - Thursday

Hung the pictures, with a little help getting some of them settled properly in their frames (it is amazing what can be done with the proper tools, like a sort of gun that fires triangular bits of metal into the wood of the frame), and a little more help when my hook system failed and several pictures came crashing down - breaking one of the frames. I don't mean come apart at the corners, I mean an oval frame snapped completely in two. After uttering an obligatory swear word, mainly because I was startled by the noise, I was surprisingly sanguine - I have a huge amount of work to select from, and the one in the frame that broke wasn't one of the best.

Tutor came round to check on progress, frowned, and said, 'You are going to fill in those holes where the light is coming in?' 'Of course!' I beamed. And indeed, I am, with a good system, though it was tempting to leave one crack to see if I could create a camera obscura projected on the opposite wall. Now that would have been a coup for historic photographic processes!

20 May - Wednesday

In a bizarre start to the day, neither myself not the guy at the DIY shop (home hardware store, for North American readers) noticed that I'd asked for one litre of paint mixed, and that he was following the recipe for that amount of my colour put into a 2.5 litre can of mixer. Oops! Grey not mocha! What do you do with the stuff? I asked as he mixed another. Oh, we'll probably throw it out, he said. But when I offered to buy it cheap, the manager decreed only a 30% discount... so I came away without the grey. I was not the first School of Arter to buy paint there this morning...

I feel much better now that my space is complete, with ceiling installed after some heroic gymnastics by one of the technicians. A bronze statue of said, with staple gun raised triumphant, will in due course be installed to commemorate this event.

19 May - Tuesday

I have painted all the boards in my space, except the ceiling which will go up tomorrow, and a few bits of trim. Then hanging the pictures can begin!

I have also got some interviews 'in the can' for the audio gallery guide.

Now if I can just get my portfolio in shape, everything will be coming together!

It is very exciting seeing other people's work arrive and start to go up on the walls.



Room plan for one of the upstairs rooms (including me). Click on the picture to enlarge.




Plan for the other upstairs rooms (this is all provisional!) Click to enlarge.




Before: my work space, as was. Around Wednesday 6 May





A last look at my wonderful view





The room cleared: where did all the stuff go? Monday 11 May





My work space, windows boarded over, ready to become my exhibition space!

Margaret Sharrow's Degree Show: 'Numinous Family' opens 23 May at Aberystwyth University School of Art

Margaret Sharrow, Numinous Family (Joe), mixed media, 2009 

Margaret Sharrow is a mixed media artist specialising in historic and alternative photographic processes. Her work attempts to represent the non-physical or spiritual aspects of existence within the two-dimensional plane. 

During the past year she has explored a variety of means of producing photographic images, usually employing light sensitive chemicals brushed onto paper exposed in the sun. 

All these processes have come into play for her degree show project, Numinous Family, a series of 'soul portraits'. The images evoke the mid nineteenth-century era of daguerreotypes, with glass portraits presented in luxurious gold framed cases. However, while evoking that distant past, the installation references more recent photographic techniques, such as the Kodak Box Brownie snapshots of the 1920s and the fading colour prints of the 1970s. 

The subject matter of these images is a selection of people and places in Margaret's circle, sometimes but not necessarily earthly family members.

-Catalogue statement, Aberystwyth University School of Art Degree Show 2009

Aberystwyth University School of Art Degree Show Podcasts: Interviews with the Artists

Mind if I ask you to talk about your work into the microphone?

The following links, should they work (which is still a bit iffy, sorry), should take you to downloadable interviews with several of the students exhibiting at the Aberystwyth University School of Art Degree Show.

These links aren't working too well, sorry, but give it a try. You will go to Kiwi6 Filehosting, from where you click on the large, somewhat forbidding word 'Download'.

Interview with Margaret Sharrow -------- alternate link

Interview with Adam Blackburn

Interview with Anthony James Smith

Interview with Ffion Davies (coming soon!)

Interview with Rob Perry (coming soon!)

If all else fails, if you can come to the degree show you can borrow my MP3 player from my exhibition space and listen to the interviews there. Press and hold the button on the player to start playing, twist the + / - dial to adjust volume (needs to be boosted up a bit louder), twist the dial with arrows to advance tracks or return to previous track. Press and hold the button to turn it off. (It makes amusing sound effects when you do this.) Please return the player to the table outside my installation, which is upstairs in the room on your right (the one with music playing but no tables and chairs), bear to the far left as you enter the room.

Background to the project

11 May

I'm working on a series of interviews with some of the students exhibiting in the upcoming Aberystwyth University School of Art degree show. Check back here soon - hopefully I'll be uploading informal interviews as mp3 files, which you can listen to here, download and even! - put on your mp3 player or iPod and bring to the exhibition, to have your very own Tate-style audio guide!

I've just been getting some technical help from Reuben Knutson and the latest is that while the audio files will certainly appear here, and be accessible from the blog, in order to download them you might have to link to a university webpage that we will create. Sorry in advance for the potential inconvenience, but Blogger seems to embed the files as Flash within the page. And I was so looking forward to posting a test podcast! (With no relevant content, just something to amuse...)

But we will prevail! Aber Uni's first ever degree show audio guide will be available right here, very, very soon! (Especially now that I am recording mp3 files, instead of not.)

19 May

Many thanks to the people who have participated so far. Please send me an e-mail with an image of your work, and if possible an image of an artist who influenced you if you mentioned one in your interview.

21 May

A second bronze statue to be erected, in honour of Reuben Knutson, who searched eleven (count 'em) websites that boasted you could upload mp3 files to create a link for downloading, until he found one that actually did what it said on the tin. Hopefully by sometime tomorrow I should be able to transfer the links here (it is taking an infernally long time to upload each file, even though the interviews are mostly brief).

Aberystwyth University School of Art Degree Show Opens 23 May, runs 25 May - 4 June

School of Art building, Buarth Mawr, Aberystwyth

Please come and enjoy the Undergraduate and Postgraduate Degree Show at the Aberystwyth University School of Art.

All students graduating this year with the BA or MA in Fine Art will be exhibiting. It promises to be a high quality exhibition, with challenging work in a variety of media - including painting, printmaking, photography, mixed media, sculpture, conceptual art, video and installations. Truly something for everyone - and most of the work is for sale, at affordable prices. Artists featured include Jenny Francis, Anna Evans, Zac Dutton, Alice Farnworth, Margaret Sharrow and many others.

Come and see the stars of tomorrow!

Opening night: Saturday 23 May, 6-9 pm

The show then runs:

25 May - 4 June

Mondays to Fridays

9 am - 5 pm

The School of Art is located at Buarth Mawr, which is not on the main campus but is a short walk from the bus/rail stations.

Directions to the School of Art

Download audio guide to the show

Margaret's work in the degree show

Monitor progress of the degree show as it goes up!

Directions to Degree Show

My degree show will be at the Aberystwyth University School of Art, Buarth Mawr, Aberystwyth, from 25 May to 4 June, 2009. I will be providing directions to the School of Art on this page. Be aware that the School of Art is not on the main campus, nor is it the Arts Centre.

Link to Streetmap.co.uk: a general map of the town and a closeup street map, both with the School of Art marked. (N.b.: Google Earth incorrectly marks the School of Art as being on the main campus, by the Arts Centre.)

Approaching Aberystwyth from the south (A487 coast road)


Approaching Aberystwyth from the south (A487 coast road), turn right at the first roundabout. Go down a steep hill and turn right again at the second roundabout, by McDonalds.


Cross two sets of railroad tracks



At the Llanbadarn Fawr mini roundabout, go left and follow the red signs for the hospital.


At the red sign for the hospital, turn left up the hill (shifting down into second gear first).


The road will bend right, then jiggle right/left, and then you will begin to travel downhill, and see the town below you. A phone box and post box are ahead of you. Turn left.


Straight ahead you will see the entrance to the School of Art.


You made it!


The School of Art, seen from below, with car park in front.

Approaching Aberystwyth from the east (A44)

As you enter Aberystwyth you will pass the Shell garage on your left. You will come to a mini roundabout soon after - turn left. Immediately there is another mini roundabout - turn right. This is the Llanbadarn Fawr roundabout described above. Proceed on the A44 until the red hospital sign, and turn left, following the directions above from this point on.

Approaching Aberystwyth from the north (A487)

Bow Street is a village several miles north of Aberystwyth, on the A487. Continue through Bow Street, past the turning for Comins Coch, and through Waun Fawr. The road will slope steeply downhill as the town and the sea come into view. Pass under a pedestrian overpass, go past the turning for the main university campus and the arts centre (on your left), go past the National Library of Wales (also on your left), and slow down as you pass Bronglais Hospital (also on your left). Soon after the hospital you come to a side street on your left, with a red sign with an H for hospital, marking the A&E entrance. Turn left on this street, turn immediately right at the T junction, follow the street round to the left past some nice Victorian houses, until you come to a junction (2 blocks). This is the A44. Look both ways, shift into second gear and drive straight ahead, up the hill. Follow this road as it bends right, then jiggles right/left, and starts to slope downwards. You will see a phone box and a post box straight ahead of you. Turn left at these, and the School of Art drive is straight ahead of you (as per the directions with photos above).

Directions from Aberystwyth rail station

Emerge from the train and turn right, walk straight ahead off the platform, passing Wetherspoons on your right. As you emerge onto the street turn right. Go past the bus stops. You will come to a mini roundabout with a gate on your right passing into a park avenue. Enter the park but leave it at the first set of steps that takes you onto a street that would make a left turn from the park. After one block turn right. Ahead of you is a drive with space for a row of cars to park on the right. Just before the parked cars, look left. There is a diagonal footpath heading up a small hill to the School of Art (the building in the last photo).

Greenland - Travels in an Amazing Place: a lunchtime talk by Margaret Sharrow

Thursday 26 March, 1pm
School of Art, Aberystwyth University, room 206

What is Greenland like?
Isn't it awfully cold there?
What is it like to stand by a glacier?
Can you really tell if global warming is happening there?

These and many other questions will be answered in a talk illustrated with photos and anecdotes, by third year fine art student Margaret Sharrow.

Last summer Margaret spent over three weeks taking photographs and travelling up and down the west coast of Greenland, the world's largest island and one of its most remote cultures. Located between Iceland and Canada, straddling the cultures of native Greenlanders, its Danish colonial heritage, and the global media culture, Greenland is also the home of some of the world's most stunning scenery.

For more information about Greenland, see her blog Margaret Sharrow in Greenland.

For more information about Margaret Sharrow, visit her art blog, online portfolio, or public Facebook page, or e-mail her at sharrow-art@hotmail.co.uk.

For a map showing the location of the School of Art, visit here.

27 March 2009

Many thanks to all those who attended my talk, and asked such good questions. And also thanks to the people who apologised for not being able to attend: your good wishes were much appreciated.

I have enough material for many more talks about Greenland, so stay tuned to my blogs!


welcome page ----- Margaret's webpage ----- Facebook ----- Flickr ----- Saatchi Online